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what to look for and more importantly avoid. True morels are pretty unmistakable and exceedingly good all by themselves. We have not been so good at marking the anniversaries of our great Adidas Yeezy Womens Shoes artists. The bicentenary of Raeburn's death passed almost without notice, likewise the centenary of McTaggart's, but 13 October will be the tercentenary of Allan Ramsay's birth and the Hunterian in Glasgow is marking it with Allan Ramsay: Portraits of the Enlightenment. Certainly if we had to choose, of all our great artists Ramsay is the one it is most fitting to celebrate. The reason that that is so is implicit in the subtitle of the exhibition, Portraits of the Enlightenment. Ramsay belonged at the centre of the Enlightenment and so of the history of Scottish art. Hunter and Ramsay were close friends and the artist's portrait of Hunter around which the show has been built records that friendship. As it does, it also says something very important about Ramsay's art. All portraiture is social to a greater or lesser degree, but like the Enlightenment itself which hinged so much on conversation, Ramsay's art is especially so. In his later career when this picture was painted, Ramsay was at the height of his powers, but his success was such that he was able to choose who he painted and so mostly painted only those close to him like Hunter.

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We do meet the direct gaze of other sitters, however. In an early self portrait we look straight into Ramsay's own dark brown eyes, for instance, but among the most striking are the partly shadowed eyes of the Duke of Argyll. He was the artist's friend and patron. He was also the most powerful man in Scotland, but this low key portrait speaks of his power without any of the trappings of rank or status. This is a picture of the democratic intellect. Ramsay was its master. He is with Burns here, "The rank is but the guinea's stamp/The man's the gowd for a' that. "But the show's subtitle also begs a question. Portraits of the Enlightenment perhaps suggests that its main poi.

He uses his consummate skill to conjure their living presence, but like a polite and considerate host making an introduction, he then steps back himself to allow us to converse with someone newly met. When he paints his friend David Hume, the philosopher looks into the distance. As a philosopher, his inner life is perhaps more important than his outer, but the same light of intelligence shines in his eyes and his mouth is ready to smile.

We see the painter at his best but, correspondingly, we also come very close to the sitter. Hunter is sitting at his desk, holding a paper in his hand and looking directly at us. The intelligence and awareness in his blue eyes is startling. We really do make eye contact across the centuries in a way that we rarely see in any painting. (Always a master of understated colour, Ramsay also subtly reinforces the effect of Hunter's eyes by dressing him in a splendid blue coat. )Here we see Ramsay's great strength. He does Adidas Yeezy 350 Boost Pirate Black

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